Who Said I Want to Make of Impressionism Something Solid and Lasting Like the Art in the Museums
„It'south similar Impressionism. They all do information technology at the Salons. Oh, very discreetly! I too was an Impressionist. I don't conceal the fact. Pissarro had an enormous influence on me. Just I wanted to make out of Impressionism something solid and lasting like the art of the museums."
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'
Adopted from Wikiquote. Last update Sept. 14, 2021.
Related quotes
„They are in a high key, somewhat like impressionism or a modified impressionism. I call up I'grand still an impressionist."
— Edward Hopper prominent American realist painter and printmaker 1882 - 1967
Interview in the late 1950's, Katherine Kuh and Avis Berman ed., in 'My Honey Affair With Modern Art', New York 2006, p.276; every bit quoted in 'The Artist'due south Vocalization', Katharine Kuh, New York and Evanston 1962, p.135
Hopper qualified his early on Paris sketches, by adding that these sketches were direct, about the 'immediate impression', while beingness very much concerned to represent with representing depth
1941 - 1967
„The Impressionists were the first [painters] to pass up the absolute value of the subject and to consider its value to be merely relative... In Paul Cezanne'southward letters I detect ideas like these: 'Objects must turn, recede, and live. I wish to make something lasting from impressionism, like the art in the museums'....'For an impressionist, to paint afterwards nature is not to pigment the object, but to express sensations'....'After having looked at the old masters, i must accept haste to leave them and to verify in ane'southward self the instincts, the sensations that dwell in u.s.."
— Fernand Léger French painter 1881 - 1955
Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 11
Quotes of Fernand Leger, 1910'due south, Contemporary Achievements in Painting, 1914
„What I want to produce is something compelling, something full, an excitement and intoxication of colour – something powerful. The paintings I did in Paris are too absurd, besides solitary and empty. They are the reaction to a restless and superficial catamenia in my life and seem to strain for a simple, grand outcome. I wanted to conquer Impressionism by trying to forget it. What happened was that information technology conquered me. Nosotros must work with digested and assimilated Impressionism.."
— Paula Modersohn-Becker High german artist 1876 - 1907
In a letter to Bernhard Hoetger, from Paris, Summer 1907; equally quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 207
1906 + 1907
„Since the appearance of Impressionism, the official salons, which used to be brown, have get blue, green, and red... But peppermint or chocolate, they are still confections."
— Claude Monet French impressionist painter 1840 - 1926
Quote of Claude Monet (1909), as cited in: Sarah Walden (1985) The ravished prototype, or, How to ruin masterpieces by restoration, p. 67
1900 - 1920
„I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to exist the truth of the thing, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; and so far I have not plant what I want, the actual execution does non seem to me to be rapid plenty and does not follow sensation with enough inevitability, merely it would be all-time not to speak of this. The fact is I would be hard put to express my meaning conspicuously, although I am completely enlightened of what I lack."
— Camille Pissarro French painter 1830 - 1903
Quote of Camille Pissarro, in a alphabetic character, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French messages; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was notwithstanding unable to express himself with precision on it.'
1880'due south
„…I don't similar to make judgments well-nigh what people like sexually. Some people similar one sex, or the other, or they like fat people, or they similar to be tied up, whatever. That'due south fine. Whatsoever people like is fine by me. I recollect that's important, too, because in this country a lot of people want to make laws about that and I'g very much against that. Making certain kinds of sex illegal… To me that's immoral, to illegalize things that people want to practise. Aforementioned with religious things. I recollect people should be able to believe whatever they want to believe. I remember that when governments endeavor to get involved with that sort of stuff, yous're really destroying people'southward souls. I don't make statements like that in my songs considering that's not what I want. I don't want to make a political statement."
— John South. Hall Poet, author, vocalist, lawyer 1960
Interview by Elein Fleiss and Olivier Zahm, ca. 1992 ( link http://adaweb.com/~purple/kingm.html)
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